Learning counterpoint through partimenti and disposizioni
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| Veröffentlicht in: | Claviorgans and the art of basso continuo |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2019
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| A new claviorgan for Göteborg Baroque | 2019 | Speerstra, Joel |
| The participants' list for the 1925 'Organistentagung' in Hamburg - Lübeck | 2019 | Peeters, Paul |
| Frédéric Silbermann, facteur de piano-forte à Strasbourg (1762-1805) : un musicien doté d'une vaste culture | 2019 | Schaefer, Marc |
| German masters of the triple Tierce : the organ builders Brammertz and Gilman at Kornelimünster | 2019 | Jespers, F. P. M. |
| Adriano Banchieri and the theory and practice of counterpoint and basso continuoin the seventeenth century | 2019 | Bellotti, Edoardo |
| The early claviorgan and its role in accompaniment practice | 2019 | Smith, Eleanor |
| Learning counterpoint through partimenti and disposizioni | 2019 | Tour, Peter van |