History of painted facades from the Middle Ages to the 20th century in Flanders (Belgium)
|
2018 |
Verdonck, Ann |
Conservation research for architectural ceiling paintings in Donghua Men (the east city entrance gate), the Forbidden City, Beijing
|
2018 |
Guanghua, Li |
The tasteful tenement: forgotten finishes at the Lower East Side Tenement Museum, New York
|
2018 |
Hoagland, Stephanie M. |
Investigation of paint instability and conservation requirements for decorative auditorium and library ceilings
|
2018 |
Binnie, Nancy E. |
Sgraffito murals in Israel: documentation and conservation
|
2018 |
Farkash, Shay |
Using image processing to understand 20th-century architectural colour schemes in Singapore
|
2018 |
Shua, Yeo Kang |
Kalsomine paint: ubitquitous but ephemeral
|
2018 |
Jablonski, Mary |
Exterior colour schemes of historic wooden buildings in the Kassisaba District of Tallinn, Estonia
|
2018 |
Valge, Claudia |
Replication of traditional finishes Challenges in distinguishing ochreous colours: examining differences between ochre and raw sienna and their importance in the context of replicating historical finishes
|
2018 |
Milnes, Anne |
W.R. Emersons Eustis House: interior decorative finishes of an Aesthetic Movement masterpiece
|
2018 |
Ives, Amy Cole |
The Government Hospital for the Insane: a finish analysis of the Center Building, St. Elizabeths Hospital, Washington, DC
|
2018 |
Edwards, Amanda |
Derailing the myth of Gilded Age decoration in the Grand Isle private railcar: a case study of the painted ceiling panels
|
2018 |
Wroczynski, Emily |
A DDT clear coating and wallpaper for the American home
|
2018 |
Jacob, Judith M. |
Limewashed island: architectural finishes in early Bermuda
|
2018 |
Chappell, Edward A. |
The original appearance of the ‘painted chamber’ in Huis de Dieu, Alkmaar (1742-1744): the discovery of a remarkable finish
|
2018 |
Verslype, Ige |
K.B. Hallen: a modernist building in the transition between tradition and industrial evolution
|
2018 |
Mogensen, Johanne Bornemann |
Making the traditional non-traditional: the architectural finishes of Frank Lloyd Wright
|
2018 |
Krotzer, Dorothy S. |
Determining the early 18th-century colour scheme of the Golden Room in the Mauritshuis, The Hague: interpretation issues caused by changes to paint chemistry
|
2018 |
Hommes, Margriet van Eikema |
Analytical techniques in architectural paint research: HMS Victory as a case study
|
2018 |
Freeman, Meredith |
From pigment particles to parlor walls: contemporary practice in the reproduction of historic paints
|
2018 |
Goodwillie, Erika Sanchez |