| The thickness of the world
|
2019 |
Loução, D. |
| The classical composition in the social spaces of housing in Recife, Brazil
|
2019 |
Carvalho, G. |
| The comic as an academic product: Presence and territoriality
|
2019 |
Abdalla, C. G |
| City Portrait: A pedagogical experience in the Faculty of Architecture and Urbanism of University of São Paulo
|
2019 |
Jorge, L. |
| Dwelling on earth... about the Kampung of Tongkol in Jakarta
|
2019 |
Louro, M. |
| A contra hegemonic design for the Brazilian cities, the Rio de Janeiro case
|
2019 |
Moreira, P. da Luz |
| Former “Portuguese” Sub-Saharan colonial Africa: A drawing narrative
|
2019 |
Milheiro, A. |
| Drawing as a key feature in architectural creative process
|
2019 |
Silva, A. Moreira da |
| (Para)metric representations and urban indicators: An application of citymetrics in a neighborhood of João Pessoa, Brazil
|
2019 |
Lima, F. |
| Insightful drawings; Invented cities; Inverted bodies
|
2019 |
Nascimento, M. |
| Conversions
|
2019 |
Angelico, E. W. |
| Art and Morphology: The legacy of Camillo Sitte
|
2019 |
Barbosa, A. |
| Hundertwasser five skins: Pretext for the study of the role of drawing and human body in the project of architecture
|
2019 |
Silva, F. Moreira da |
| Cinema's places and territories: A systematic catalogue of Italian movie theaters
|
2019 |
Moschini, F. |
| The city skin — visions for a tactile identity of the space
|
2019 |
Oliveira, F. |
| Walking: Drawing the city with the body
|
2019 |
Crespo, J. Ferreira |
| Legal alien, exile and intermittent homes in “Englishman in New York” (Sting, 1987)
|
2019 |
Sol, L. |
| Possibilities of overcoming aesthetic preconceptions in drawing learning: Exercise notes about sensitive impressions
|
2019 |
Lopes, R. Ferreira |
| Literary and travel images for the knowledge of the city
|
2019 |
Cardone, V. |
| The drawing of the winding line
|
2019 |
Godinho, A. |
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