| Women in the cities : comparative modernities and cinematic space in the 1930s
|
2019 |
Russell, Catherine |
| Radioglaz and the global city : possibilities and constraints of experimental montage
|
2013 |
Binter, Julia T. S. |
| Filming in the light of memory
|
2013 |
Grossman, Alyssa |
| Assembling potentials, mounting effects : ethnographic exhibitions beyond correspondence
|
2013 |
Bjerregaard, Peter |
| All the difference in the world : liminality, montage, and the reinvention of comparative anthropology
|
2013 |
McLean, Stuart |
| Labor days : a non-linear narrative of development
|
2013 |
Vohnsen, Nina Holm |
| Assembling bodies : cuts, clusters, and juxtapositions
|
2013 |
Empson, Rebecca |
| Introduction : montage as an amplifier of invisibility
|
2013 |
Willerslev, Rane |
| Anthropology
|
2013 |
Nielsen, Morten |
| Smith's Tour Favela
|
2013 |
Antick, Paul |
| Montage as analysis in ethnographic and documentary filmmaking : from hunting for plots toward weaving baskets of data
|
2013 |
Høgel, Jakob Kirstein |
| In defense of observational cinema : the significance of the Bazinian turn for ethnographic filmmaking
|
2013 |
Grimshaw, Anna |
| The traffic in montage, then and now
|
2013 |
Marcus, George E. |
| Montage and time : Deleuze, cinema, and a Buddhist sorcery rite
|
2013 |
Kapferer, Bruce |
| Into the gloaming : a montage of the senses
|
2013 |
Irving, Andrew |
| Being a montage
|
2013 |
Dalsgaard, Anne Line |
| Mind the gap
|
2013 |
Salamon, Karen Lisa |
| Project Villa Sovietica : clashing images, expectations, and receptions
|
2013 |
Schüssler, Alexandra |
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