| Sound pavilions
|
2019 |
Myatt, Tony |
| Sound art in Germany
|
2019 |
Semmerling, Linnea |
| PRES in search of mulitmensional sound spaces
|
2019 |
Muzyczuk, Daniel |
| The loudspeaker in art practice : a preliminary taxonomy
|
2019 |
Cluett, Seth |
| Sonic notes and records from Turkey : a short story of fifteen years : the shift from the stage to the exhibition space
|
2019 |
Şenova, Başak |
| A brief introduction to the sound arts in Australia
|
2019 |
Kelly, Caleb |
| Sound as a medium of art
|
2019 |
Weibel, Peter |
| Sound in Japan : silence, noise, material, and media
|
2019 |
Ikeshiro, Ryo |
| Sound art in America : Cage and beyond
|
2019 |
Cox, Christoph |
| Shh...! In search of the white cube's soundtrack
|
2019 |
Semmerling, Linnea |
| Record as artwork, 1959-73
|
2019 |
Celant, Germano |
| The exhibition Sound Art at the ZKM | Karlsruhe : ZKM | Center for Art and Media Karlsruhe March 17, 2012-January 6, 2013
|
2019 |
Weibel, Peter |
| Canadasonic
|
2019 |
Migone, Christof |
| Brazilian sound art from a Gambiarra perspective
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2019 |
Obici, Giuliano |
| Archisculpture of sound
|
2019 |
Bonito Oliva, Achille |
| Singing data : sonification and the relation between science and art
|
2019 |
Supper, Alexandra |
| Sonic site-specificities
|
2019 |
LaBelle, Brandon |
| The other side of sound : sources and trends of sound art in Russia
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2019 |
Bulatov, Dmitrij |
| Sound art in China : revolutions per minute
|
2019 |
Yao, Dajuin |
| Walter Smetak's visionary Plásticas Sonoras : influences on sound art and experimental music in Brazil
|
2019 |
Gerlach, Julia |
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