The end of early music : a period performer's history of music for the twenty-first century

The end of early music a period performer's history of music for the twenty-first century

pt. 1. Performing styles. When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : chops, but no soulpt. 2. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols -- pt....

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Bibliographische Detailangaben
1. Verfasser: Haynes, Bruce (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Oxford, New York, Auckland, Cape Town Oxford University Press 2007
Schlagworte:
Performance practice (Music) > History > Music > Interpretation (Phrasing, dynamics, etc.) > Historische Musikpraxis > Geschichte > Musikästhetik > Musikphilosophie > Musikalische Aufführungspraxis > Musik > Aufführungspraxis > Interpretation
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Zusammenfassung:pt. 1. Performing styles. When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : chops, but no soulpt. 2. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols -- pt. 3. Anachronism and authenticity. Original ears ; Ways of coping with the past ; The medium is the message : period instruments -- pt. 4. On elocution and pronunciation. Baroque oratory compared with romantic autobiography ; Gestural phrasing -- pt. 5. The end of early music. Passive and active musicking : stop staring and grow your own ; Mainstream music as early music ; Perpetual revolution.
Introduction : Historians of necessity -- Part I. Performing styles. Performing style : When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : chops, but no soul -- Part II. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols -- Part III. Anachronism and authenticity. Original ears ; Ways of coping with the past ; The medium is the message : period instruments -- Part IV. On elocution and pronunciation. Baroque oratory compared with romantic autobiography ; Gestural phrasing -- Part V. The end of early music. Passive and active musicking : stop staring and grow your own ; Mainstream music as early music ; Perpetual revolution
Beschreibung:Literaturverzeichnis: Seiten 251-266
Beschreibung:xix, 284 Seiten
Notenbeispiele
ISBN:0195189876
0-19-518987-6
9780195189872
978-0-19-518987-2