The muddied mirror materiality and figuration in Titian's later paintings
"Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher
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Format: | UnknownFormat |
Sprache: | eng |
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University Park, Pa.
Pennsylvania State University Press
2010
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Online Zugang: | Inhaltsverzeichnis |
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