Keyboard music from Couperin to early Beethoven
Examines the degree of stylistic progress that undoubtedly took place in certain areas of solo keyboard music between 1715 and 1805, and the extent to which this progress was circumscribed—or stimulated—by earlier stylistic models. There was a broad dichotomy between stylistic continuity and change...
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Veröffentlicht in: | The Cambridge history of eighteenth-century music |
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Format: | UnknownFormat |
Sprache: | eng |
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2009
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