| The scandal of horror photography (July 1969)
|
1999 |
Barthes, Roland |
| Letter from New York (December 1969)
|
1999 |
Frank, Robert |
| In praise of the snapshot (September 1971)
|
1999 |
Jay, Bill |
| Dr. Erich Salomon 1886-1944: historian with a camera (January 1972)
|
1999 |
Gernsheim, Helmut |
| Thinking photography reviewed (November 1982)
|
1999 |
Bezencenet, Stevie |
| Revising femininity (September 1983)
|
1999 |
Butler, Susan |
| Pilgrims (January 1987)
|
1999 |
Berger, John |
| William Klein interviewed (January 1990)
|
1999 |
Brittain, David |
| Symbolic spaces, Karen Knorr interviewed (April/May 1991)
|
1999 |
Brittain, David |
| A snapshot from Bohemia /June/July 1991)
|
1999 |
Buechler, Pavel |
| Body language (June/July 1991)
|
1999 |
Spence, Jo |
| Film as crime (August/September 1991)
|
1999 |
Baxter, Ed |
| Zang Tumb Tuum (April/May 1993)
|
1999 |
Horsfield, Craigie |
| 'I´m buggered without my prejudices', Martin Parr interviewed (June/July 1993)
|
1999 |
Brittain, David |
| The Morgue: Andres Serrano (February/March 1994; re-written January 1999)
|
1999 |
Harold, Jim |
| Figures in a landscape (June/July 1997)
|
1999 |
Bornoff, Nicholas |
| The big shift, Stuart Hall and Mark Sealy in conversation (October/November 1997)
|
1999 |
Hall, Stuart |
| Picturing the end of Empire: Cecil Beaton (January 1982)
|
1999 |
Mellor, David Alan |
| Alan Bowness interviewed: The Tate Gallery and photography (January 1982)
|
1999 |
Osman, Colin |
| Modern photojournalism: the first years (July/August 1982)
|
1999 |
Gidāl, Naḥûm Tim |
Tag hinzufügen