| Picturing the end of Empire: Cecil Beaton (January 1982)
|
1999 |
Mellor, David Alan |
| Alan Bowness interviewed: The Tate Gallery and photography (January 1982)
|
1999 |
Osman, Colin |
| Modern photojournalism: the first years (July/August 1982)
|
1999 |
Gidāl, Naḥûm Tim |
| From today black and white is dead (December 1985)
|
1999 |
Butler, Susan |
| Déjà vu: the Rephotographic Survey Project (January 1986)
|
1999 |
Walker, Ian |
| Towards a moral pornography: Joel-Peter Witkin (June 1986)
|
1999 |
Badger, Gerry |
| A book in the life of . Jo Spence, (on John Heartfield) (August/September 1990)
|
1999 |
Spence, Jo |
| Sans-Souci, Christian Boltanski interviewed (April/May 1992)
|
1999 |
Durden, Mark |
| New Labour, Peter Kennard interviewed (June/July 1995)
|
1999 |
Read, Shirley |
| Between object and image (June/July 1996)
|
1999 |
Green, David |
| Photography, video and the everyday (August/September 1997)
|
1999 |
Lowry, Joanna |
| Defining the moment (February/March 1998)
|
1999 |
Durden, Mark |
| Shock photos (April/May 1998)
|
1999 |
Taylor, John |
| Personal notes on dismantling the McCullin exhibition at the V&A Museum (April/May 1981)
|
1999 |
Haworth-Booth, Mark |
| Letter: Dictators and empiricists (December 1982)
|
1999 |
Burgin, Victor |
| Reviewed: Some sacred sites: 'Thinking photography' edited by Victor Burgin (November 1982)
|
1999 |
Jeffrey, Ian |
| Flash suit, flash myth, Weegee´s widow, Wilma Wilcox, interviewed (February 1983)
|
1999 |
Martin, Murray |
| Current comment: Josef Koudelka (March 1985)
|
1999 |
Haworth-Booth, Mark |
| A mirror to yourself, Helen Chadwick interviewed (June 1986)
|
1999 |
Evans, Tom |
| John Gossage´s 'The pond' (July 1986)
|
1999 |
Adams, Robert |
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