| Historical musicology, sources, methods, interpretations : [Rezension]
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2006 |
Bandur, Markus |
| Performance practice issues that affect meaning in two Bach instrumental works
|
2004 |
Marissen, Michael |
| Mozart's "Mitridate" : going beyond the text
|
2004 |
Harris, Ellen T. |
| Joseph Haydn's influence on the symphonies of Antonio Rosetti
|
2004 |
Bernstein, Lawrence F. |
| Carl Philipp Emanuel Bach and the aesthetics of patricide
|
2004 |
Kramer, Richard |
| Scholarly inquiry in historical musicology : sources, methods, interpretations
|
2004 |
Marvin, Roberta Montemorra |
| Material culture and postmodern positivism : rethinking the "popular" in late-nineteenth-century French music
|
2004 |
Pasler, Jann |
| A collaboration between Cipriano de Rore and Baldissera Donato?
|
2004 |
Owens, Jessie Ann |
| Reason and imagination : Beethoven's aestetic evolution
|
2004 |
Solomon, Maynard |
| Sex, sexuality, and Schubert's piano music
|
2004 |
Kallberg, Jeffrey |
| "La belle exécution" : Johann Nepomuk Hummel's treatise and the art of playing the pianoforte
|
2004 |
Kroll, Mark |
| Mozart's piano concertos and the romantic generation
|
2004 |
Macdonald, Claudia |
| "Wo die Zitronen blühn" : re-versions of Arie antiche
|
2004 |
Murata, Margaret |
| Otto Gombosi's correspondence at the university of Chicago
|
2004 |
Libin, Laurence |
| Historical theology and hymnology as tools for interpreting Bach's church cantatas : the case of "Ich elender Mensch, wer wird mich erlösen", BWV 48
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2004 |
Crist, Stephen A. |
| New perspectives on Bach's great eighteen chorales
|
2004 |
Stinson, Russell |
| Schubert as formal architect: the "Quartettsatz", D. 703
|
2004 |
Lockwood, Lewis |
| "For you have been rebellious against the Lord" : the Jewish image in Mendelssohn's "Moses" and Marx's "Mose"
|
2004 |
Sposato, Jeffrey S. |
| Andrea Maffei's "Ugly sin" : the libretto for Verdi's "I masnadieri"
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2004 |
Marvin, Roberta Montemorra |
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