Perception as a function of desire in the Renaissance

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Bibliographische Detailangaben
Veröffentlicht in:	Renaissance theories of vision
1. Verfasser:	Hendrix, John Shannon (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2010
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Titel	Jahr	Verfasser
Introduction	2010	Hendrix, John Shannon
Meanings of perspective in the Renaissance : Tensions and resolution	2010	Carman, Charles H.
Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation	2010	De Girolami Cheney, Liana
At the boundaries of sight : the Renaissance cloud putto	2010	Kleinbub, Christian K.
Gesture and perspective in Raphael's School of Athens	2010	Temple, Nicholas
"All in him selfe as in a glas he sees" : Mirrors and vision in the Renaissance	2010	Tudor, Faye
"Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch	2010	Crawford Berghof, Alice
Classical optics and the perspectivae traditions leading to the Renaissance	2010	Bizri, Nader el-
Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze	2010	Terry-Fritsch, Allie
Donatello's Chellini Madonna, Light, and vision	2010	Bloch, Amy R.
Perception as a function of desire in the Renaissance	2010	Hendrix, John Shannon
Seeing and the transfer of spirits in early modern art theory	2010	Weststeijn, Thijs