| Critical reflections on performing arts impact evaluations
|
2017 |
Williams-Burnett, Nicola Jayne |
| "Audience exchange" : cultivating peer-to-peer dialogue at unfamiliar arts events
|
2017 |
Pitts, Stephanie |
| Representations of rural England in contemporary folk song
|
2017 |
Skinner, Heather |
| Functions of intermediaries in arts-based cooperations
|
2017 |
Sandberg, Berit |
| Impact and OperaScotland, the listings and archive website
|
2017 |
Fraser, Peter James |
| An evaluation of performance arts in generating business value
|
2017 |
Harwood, Tracy |
| Second wave true Norwegain black metal : an ideologically evil music scene?
|
2017 |
Wallin, Jason J. |
| Cultural memory and the heritagisation of a music consumption community
|
2017 |
O'Reilly, Daragh |
| What's in a thang? : dancing to brand image with Miley Cyrus' multimodal dance spectacle
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2017 |
Rossolatos, George |
| Digital consumers as cultural curators : the irony of Vaporwave
|
2017 |
Schembri, Sharon |
| Vinyl tourism : records as souvenirs of underground musical landscapes
|
2017 |
Soonichsen, Tyler |
| Tracing the color line in the American music market and ists effect on contemporary music marketing
|
2017 |
Barretta, Paul G. |
| Here's one for the next show : the influence of four marketing tactics on consumer relationships in the performing arts
|
2016 |
Hegner, Sabrina |
| Assessing the risks and opportunities in corporate art sponsorship arrangements using Fiske's relational models theory
|
2016 |
Ryan, Annmarie |
| Personality and interest in the visual arts
|
2016 |
Bachleda, Catherine L. |
| Comparing the persuasiveness and professionalism of newspaper, blog, and social media sources of information in marketing and reviewing theatre
|
2016 |
Warne, Russell Thomas |
| Increasing loyalty in the arts by bundling consumer benefits
|
2016 |
Hall, Emma |
| Consuming the Korean : memetic kitschization of unorthodox aesthetics in Gangnam Style
|
2016 |
Hong, Soonkwan |
| How are arts organizations responding to critique in the digital age?
|
2016 |
Johnson, Jennifer Wiggins |
| Brended app implementation the London Symphony Orchester
|
2016 |
Gosling, Victoria |
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