| 'The north remembers' : the uses and abuses of the Middle Ages in Irish political culture
|
2017 |
Byers, Eamon |
| War, church, empire and the Medieval in British histories for children
|
2017 |
Lynch, Andrew |
| Thorkel Farsek goes for a swim : climate change, the medieval optimum, and the perils of amateurism
|
2017 |
Holsinger, Bruce |
| 'Adventure? What is that?' : on Iwein
|
2017 |
Hoppe, Felicitas |
| The medium is the Byzantine : popular culture and the Byzantine
|
2017 |
Betancourt, Roland |
| Is Medieval the new avant-garde? : the wilful, the wayward and the playful
|
2017 |
Coatman, Graham |
| Digital mouvance : once and future medieval poetry remediated in the modern world
|
2017 |
Jones, Chris |
| Forging 'medieval' identities : Fortini's Calendimaggio and Pasolini's Trilogy of life
|
2017 |
Di Carpegna Falconieri, Tommaso |
| Chaucer's and Wodsworth's Vivid Daisies
|
2017 |
Robertson, Elizabeth |
| Visuality, violence and the return of the Middle Ages : Quentin Tarantino's Inglorious Basterds as an adaption of the Nibelungen story
|
2017 |
Bildhauer, Bettina |
| Writing the nation : historians and national identities from the nineteenth to the twenty-first centuries
|
2017 |
Geary, Patrick J. |
| Saints' cults and celebrity : the medieval legacy
|
2017 |
Robinson, James |
| Medievalism, byzantinism, and Bulgarian politics through the archival lens
|
2017 |
Gargova, Fani |
| Time, place, language and translation : Ciaran Carson's The Inferno and The Táin
|
2017 |
McCarthy, Conor |
| Black skin, green masks : medieval foliate heads, racial trauma, and queer world-making
|
2017 |
Dinshaw, Carolyn |
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