| Landscapes of Fantasy, Gardens of Deceit : The Adventure Film between Colonialism and Tourism
|
2016 |
Wulff, Hans Jürgen |
| Taking Stock at War's End : Gender, Genre, and Hollywood Labor in 'The Strange Love of Martha Ives'
|
2016 |
Grundmann, Roy |
| Women and the Silent Screen
|
2016 |
Stamp, Shelley |
| The Star System
|
2016 |
Anderson, Mark Lynn |
| The Politics of 'Force of Evil' : An Analysis of Abraham Polonsky's Preblacklist Film
|
2016 |
Brinckmann, Christine N. |
| Synchronized Sound Comes to the Cinema
|
2016 |
Young, Paul |
| D. W. Griffith and the Development of American Narrative Cinema
|
2016 |
Keil, Charlie |
| African-Americans and Silent Films
|
2016 |
Massod, Paula J. |
| Early American Avant-Garde Cinema
|
2016 |
Horak, Jan-Christopher |
| "Let ´Em Have It" : The Ironic Fate of the 1930s Hollywood Gangster
|
2016 |
Vasey, Ruth |
| Cinema and the Modern Woman
|
2016 |
Pravadelli, Veronica |
| Queering the (New) Deal
|
2016 |
Lugowski, David M. |
| There´s No Place Like Home : The Hollywood Folk Musical
|
2016 |
Garcia, Desirée J. |
| Classical Cel Animation, World War II, and 'Bambi'
|
2016 |
Thompson, Kirsten Moana |
| Mapping 'Why We Fight' : Frank Capra and the US Army Orientation Film in World War II
|
2016 |
Wolfe, Charles |
| A Victory "Uneasy with Its Contrasts" : The Hollywood Left Fights World War II
|
2016 |
Giovacchini, Saverio |
| Cold War Thrillers
|
2016 |
Palmer, R. Barton |
| American Underground Film
|
2016 |
Rapfogel, Jared |
| Chaplin and Silent Film Comedy
|
2016 |
Maland, Charles J. |
| Erich von Stroheim and Cecil B. DeMille : Early Hollywood and the Discourse of Directorial "Genius"
|
2016 |
Studlar, Gaylyn |
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