| Chaplin and Silent Film Comedy
|
2016 |
Maland, Charles J. |
| Erich von Stroheim and Cecil B. DeMille : Early Hollywood and the Discourse of Directorial "Genius"
|
2016 |
Studlar, Gaylyn |
| Era of the Moguls : The Studio System
|
2016 |
Bernstein, Matthew |
| "As Close to Real Life as Hollywood Ever Gets" : Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s
|
2016 |
Maltby, Richard |
| The Magician : Orson Welles and Film Style
|
2016 |
Naremore, James |
| Hollywood as Historian, 1929-1945
|
2016 |
Smyth, Jennifer E. |
| Natalie Wood : Studio Stardom and Hollywood in Transition
|
2016 |
Lucia, Cynthia |
| The Actors Studio in the Early Cold War
|
2016 |
Baron, Cynthia |
| Authorship and Billy Wilder
|
2016 |
Sklar, Robert |
| Landscapes of Fantasy, Gardens of Deceit : The Adventure Film between Colonialism and Tourism
|
2016 |
Wulff, Hans Jürgen |
| Taking Stock at War's End : Gender, Genre, and Hollywood Labor in 'The Strange Love of Martha Ives'
|
2016 |
Grundmann, Roy |
| Women and the Silent Screen
|
2016 |
Stamp, Shelley |
| The Star System
|
2016 |
Anderson, Mark Lynn |
| The Politics of 'Force of Evil' : An Analysis of Abraham Polonsky's Preblacklist Film
|
2016 |
Brinckmann, Christine N. |
| Synchronized Sound Comes to the Cinema
|
2016 |
Young, Paul |
| D. W. Griffith and the Development of American Narrative Cinema
|
2016 |
Keil, Charlie |
| African-Americans and Silent Films
|
2016 |
Massod, Paula J. |
| Early American Avant-Garde Cinema
|
2016 |
Horak, Jan-Christopher |
| "Let ´Em Have It" : The Ironic Fate of the 1930s Hollywood Gangster
|
2016 |
Vasey, Ruth |
| Cinema and the Modern Woman
|
2016 |
Pravadelli, Veronica |
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