An aesthetics of injury the narrative wound from Baudelaire to Tarantino
Dissertation, Harvard University, 2013
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| Format: | UnknownFormat |
| Sprache: | eng |
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Evanston, Illinois
Northwestern University Press
2018
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Tag hinzufügen | Zusammenfassung: | Dissertation, Harvard University, 2013 Introduction. An aesthetic of injury: Decadence and aestheticism -- An aesthetic of injury -- The literary wound on trial: poetic decadence and Baudelaire's Flowers of evil -- "Sinnbild der Wunde": the ambivalent aestheticism of Kafka's A country doctor -- Bataille's bruise: the mutilated writing of The blue of noon (1927/1935/1957) -- The poetics of omission -- The textual orifice: holes in Genet's Funeral rites -- "Ce qui est coupe repousse": Cixous's Breaths (1975) and the poetics of omission -- The woman on the wall: Bachmann's Malina (1971) - Jelinek's and Schroeter's Malina -- The filmic cut: Jelinek's The piano teacher (1983) - Haneke's The piano teacher -- Conclusion -- Epilogue: The final cut. Quentin Tarantino, or modernism dismembered |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xi, 305 Seiten Illustrationen 24 cm |
| ISBN: | 9780810136793 978-0-8101-3679-3 9780810136809 978-0-8101-3680-9 |