| Globalization and the domestic reception of Wagnerian music drama
|
2017 |
Blackmar, Matthew |
| Wagner's "Ring" as Eco-Parable
|
2017 |
Grey, Thomas |
| Sexualität und Gender : Einleitung
|
2017 |
Mungen, Anno |
| Wagner unmanned
|
2017 |
Pederson, Sanna |
| Women's Wagner : reflections on a scattered reception
|
2017 |
Applegate, Celia |
| Wagner's form, Chéreau's scene, Large's cuts : analytical dialogues between music, theater and video
|
2017 |
Thorau, Christian |
| Wagner goes East (and back again...) : operatic performance between Europe and China
|
2017 |
Mittler, Barbara |
| Wagnerians then and now
|
2017 |
Vomberg, Elfi |
| Natur und Umwelt : Einleitung
|
2017 |
Stollberg, Arne |
| Luigi Nono's analytical remarks on "Tristan and Isolde" and the manifestation of nature in Wagner's music
|
2017 |
Junker, Joachim |
| Performing Wagner : Francesco Zambello's San Francisco "Ring" cycle as an example of performative translation - from Bayreuth to the American West
|
2017 |
Green, Geoffrey |
| "What's Wagner, Doc?" : nineteenth-century German opera and contemporary American popular culture
|
2017 |
Metz, Walter |
| Loathsome Deutschtum? : Wagner, propaganda and American industrial films of the 1930s and 1940s
|
2017 |
Hubbert, Julia Bess |
| Bayreuth and the German war effort : Karl Ritter's "Stukas"
|
2017 |
Vaget, Hans Rudolf |
| Is it a man's world? : the construction of masculinities in Wagner
|
2017 |
Herzfeld, Gregor |
| Film and media : introduction
|
2017 |
Hubbert, Julia Bess |
| Staging a debate : from Kriegenburg's "Ring" cycle to Saar Magal's "Hacking Wagner"
|
2017 |
Schmitt, Olaf A. |
| Wagner and fortuny : designs for the Bayreuth Theatre
|
2017 |
Smith, Wendy Ligon |
| History and nationalism : introduction
|
2017 |
Vazsonyi, Nicholas |
| Wagner's "Parsifal" as art and ideology, 1882-1933
|
2017 |
Kinderman, William |
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