Criteria of correctness in music theory and analysis
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| Veröffentlicht in: | Theory, analysis and meaning in music |
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| Format: | UnknownFormat |
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1994
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Rehabilitating the incorrigible | 1994 | Guck, Marion A. |
| Metaphor in Roger Scruton's aesthetics of music | 1994 | Cumming, Naomi |
| 'Répons': phantasmagoria or the articulation of space? | 1994 | Williams, Alastair |
| Systems and strategies: functions and limits of analysis | 1994 | Pople, Anthony |
| Criteria of correctness in music theory and analysis | 1994 | Dunsby, Jonathan |
| Music as text: Mahler, Schumann and issues in analysis | 1994 | Samuels, Robert |
| The obbligato recitative: narrative and Schoenberg's Five Orchestral Pieces, Op. 16 | 1994 | Street, Alan |
| Competing myths: the American abandonment of Schenker's organicism | 1994 | Snarrenberg, Robert |
| Music theory and the challenge of modern music: Birtwistle's 'Refrains and Choruses' | 1994 | Cross, Jonathan |
| Ambiguity in tonal music: a preliminary study | 1994 | Agawu, Kofi |
| Debussy's significant connections: metaphor and metonymy in analytical method | 1994 | Ayrey, Craig |