| Declamatory Dissonance in Machaut
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2005 |
Earp, Lawrence Marshburn |
| 'Auctoritas cereum habet nasum' : Boethius, Aristotle, and the music of the spheres in the thirteenth and early fourteenth centuries
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Rico, Gilles |
| Apollinis eclipsatur: Foundation of the 'Collegium musicorum'
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Howlett, David |
| An English Adoption of the Burgundian Chanson
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Dumitrescu, Theodor |
| Auctoritas and the Motets of Philippe de Vitry
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Wathey, Andrew |
| Fire, Desire, Duration, Death: Machautes Motet 10
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|
Brownlee, Kevin |
| Ciconia's Citations in "Nova musica": New Sources as Biography
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Haggh-Huglo, Barbara |
| "De plus en plus": Numbers, Binchois, and Ockeghem
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Strohm, Reinhard |
| Learning to Compose in the 1540s: Gioseffo Zarlino's "Si bona suscepimus"
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Judd, Cristle Collins |
| Naturalis concordia vocum cum planetis : conceptualizing the harmony of the spheres in the early Middle Ages
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Rankin, Susanne |
| Types and Transmission of Musical Examples in Franco's "Ars cantus mensurabilis musicae"
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Leitmeir, Chriatian Thomas |
| Machaut Reading Machaut : Self-Borrowing and Reinterpretation in Motets 8 and 21
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|
Clark, Alice V. |
| Fauvel Goes to School
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Holford-Strevens, Leofranc |
| Imitatio, Intertextuality, and Early Music
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|
Milsom, John |
| Qui bien aimme a tart oublie: Guillaume de Machautes "Lay de plour" in Context
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|
Newes, Virginia |
| The Eloquence of Silence: Tacet Inscriptions in the Alamire Manuscripts
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|
Blackburn, Bonnie J. |
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