| Declamatory Dissonance in Machaut
|
2005 |
Earp, Lawrence Marshburn |
| Auctoritas and the Motets of Philippe de Vitry
|
|
Wathey, Andrew |
| 'Auctoritas cereum habet nasum' : Boethius, Aristotle, and the music of the spheres in the thirteenth and early fourteenth centuries
|
|
Rico, Gilles |
| Apollinis eclipsatur: Foundation of the 'Collegium musicorum'
|
|
Howlett, David |
| An English Adoption of the Burgundian Chanson
|
|
Dumitrescu, Theodor |
| Naturalis concordia vocum cum planetis : conceptualizing the harmony of the spheres in the early Middle Ages
|
|
Rankin, Susanne |
| Types and Transmission of Musical Examples in Franco's "Ars cantus mensurabilis musicae"
|
|
Leitmeir, Chriatian Thomas |
| Machaut Reading Machaut : Self-Borrowing and Reinterpretation in Motets 8 and 21
|
|
Clark, Alice V. |
| Fauvel Goes to School
|
|
Holford-Strevens, Leofranc |
| Imitatio, Intertextuality, and Early Music
|
|
Milsom, John |
| Qui bien aimme a tart oublie: Guillaume de Machautes "Lay de plour" in Context
|
|
Newes, Virginia |
| The Eloquence of Silence: Tacet Inscriptions in the Alamire Manuscripts
|
|
Blackburn, Bonnie J. |
| Fire, Desire, Duration, Death: Machautes Motet 10
|
|
Brownlee, Kevin |
| Ciconia's Citations in "Nova musica": New Sources as Biography
|
|
Haggh-Huglo, Barbara |
| "De plus en plus": Numbers, Binchois, and Ockeghem
|
|
Strohm, Reinhard |
| Learning to Compose in the 1540s: Gioseffo Zarlino's "Si bona suscepimus"
|
|
Judd, Cristle Collins |
Tag hinzufügen