Franz Liszt: Symphonist of the Keyboard
|
1994 |
Hughes, Walden |
Holst and Gregynog
|
1994 |
Gibbs, Alan |
"Improving the Classics": Some Thoughts on the "Ethics" and Aesthetics of musical Arrangement
|
1994 |
Sachania, Millan |
William Tritt as teacher
|
1994 |
Carruthers, Glen Blaine |
Another "48": Stanford and "historic sensibility"
|
1994 |
Allis, Michael |
The Dominant Complex/Climax in Selected Works of the Late Nineteenth Century
|
1994 |
Murphy, Edward W. |
Feminine Voices in Schubert's early Laments
|
1994 |
Schroeder, David P. |
Mann's Wälsungenblut and Wagner's Walküre
|
1994 |
Schoffman, Nachum |
Some thoughts on Kurtz's Stockhausen
|
1994 |
Dale, Catherine |
Hamilton Harty's Music for Bells
|
1994 |
Greer, David |
Emulation and Influence: Japonisme and Western Music in fin de siècle Paris
|
1994 |
Waters, Robert F. |
Turtles, Helmets, Parasites and Goliards
|
1994 |
Gillingham, Bryan |
A Parry Miscellany: Some Manuscripts in the Bodleian Library
|
1994 |
Jones, J. Barrie |
The Mystery of Beethoven's enigmatic "A"
|
1994 |
Oakley Beahrs, Virginia |
Was Ferdinand Schubert of Krems a relative of Franz Schubert?
|
1994 |
Hoorickx, Reinhard van |
History and the Tristan Chord
|
1994 |
Richey, John |
Sound as Symbol: Fin de siècle Perceptions of the Orchestra
|
1994 |
Jensen, Eric Frederick |
Another '48 : Stanford and 'historic sensibility'
|
1994 |
Allis, Michael |
War Music and its Innovations
|
1994 |
Arnold, Ben |
The Dominant Complex/Climax in Selected Works of the Late Nineteenth Century
|
1994 |
Murphy, Edward W. |