That elusive Prix de Rome

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The music review
1. Verfasser: Berges, Ruth (VerfasserIn)
Format: UnknownFormat
Veröffentlicht: 1994
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Titel Jahr Verfasser
Franz Liszt: Symphonist of the Keyboard 1994 Hughes, Walden
Holst and Gregynog 1994 Gibbs, Alan
"Improving the Classics": Some Thoughts on the "Ethics" and Aesthetics of musical Arrangement 1994 Sachania, Millan
William Tritt as teacher 1994 Carruthers, Glen Blaine
Another "48": Stanford and "historic sensibility" 1994 Allis, Michael
The Dominant Complex/Climax in Selected Works of the Late Nineteenth Century 1994 Murphy, Edward W.
Feminine Voices in Schubert's early Laments 1994 Schroeder, David P.
Mann's Wälsungenblut and Wagner's Walküre 1994 Schoffman, Nachum
Some thoughts on Kurtz's Stockhausen 1994 Dale, Catherine
Hamilton Harty's Music for Bells 1994 Greer, David
Emulation and Influence: Japonisme and Western Music in fin de siècle Paris 1994 Waters, Robert F.
Turtles, Helmets, Parasites and Goliards 1994 Gillingham, Bryan
A Parry Miscellany: Some Manuscripts in the Bodleian Library 1994 Jones, J. Barrie
The Mystery of Beethoven's enigmatic "A" 1994 Oakley Beahrs, Virginia
Was Ferdinand Schubert of Krems a relative of Franz Schubert? 1994 Hoorickx, Reinhard van
History and the Tristan Chord 1994 Richey, John
Sound as Symbol: Fin de siècle Perceptions of the Orchestra 1994 Jensen, Eric Frederick
Another '48 : Stanford and 'historic sensibility' 1994 Allis, Michael
War Music and its Innovations 1994 Arnold, Ben
The Dominant Complex/Climax in Selected Works of the Late Nineteenth Century 1994 Murphy, Edward W.
Alle Artikel auflisten