| "There is no anachronism" : Indian dancings girls in ancient Carthage in Berlioz's "Les Troyens"
|
2009 |
Rij, Inge van |
| "Vous qui faites l'endormie" : the phantom and the buried voices of the Paris Opéra
|
2009 |
Newark, Cormac |
| Medieval romance and Wagner's musical narrative in the "Ring"
|
2009 |
Harper-Scott, J.P.E. |
| Flying leaves : between Berlioz and Wagner
|
2009 |
Kolb, Katherine |
| Mendelssohn in nineteenth-century american Hymnody
|
2009 |
Mercer-Taylor, Peter |
| Local Color : Donizettiś "Il furioso" in Naples
|
2008 |
Deasy, Martin |
| Rough music: "Tosca" and "Verismo" reconsidered
|
2008 |
Schwartz, Arman |
| "Mystères limpides" : time and transformation in Dbussy's "Des pas sur la neige"
|
2008 |
Rings, Steven |
| The turk in the mirror: orientalism in Haydn's string quartett in D minor, op. 76, no. 2 ("Fifths")
|
2008 |
Christiansen, Paul |
| Matinee mania, or the regendering of nineteenth-century audiences in New York City
|
2008 |
Block, Adrienne Fried |
| musical history and self-consciousness in Mendelssohn's octet, op.20
|
2008 |
Tailer, Benedict |
| Playing the identity card: Of Grieg, Indians and women
|
2008 |
McClary, Susan |
| Saint Elsewhere : German and English Reactions to Mendelssohn's "Paulus"
|
2008 |
Sposato, Jeffrey S. |
| Après une Lecture de Liszt : Virtuosity and Werktreue in the "Dante" Sonata
|
2008 |
Trippett, David |
| Ambiguous spech and eloquent silence : the queerness of Tchaikovsky's songs
|
2008 |
Ross Bullock, Philip |
| Mother mime : "Siegfried", the fairy tale, and the metaphysics of sexual difference
|
2008 |
Daub, Adrian |
| Nineteenth-century music? The case of Rachmaninov
|
2008 |
Fisk, Charles |
| Saint Elsewhere : German and English Reactions to Mendelssohn's "Paulus"
|
2008 |
Sposato, Jeffrey S. |
| Within sight : three-dimensional perspectives on women and banjos in the late nineteenth century
|
2007 |
Hamessley, Lydia |
| Deconstructing d'Indy, or the problem of a composer's reputation
|
2007 |
Pasler, Jann |
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