| New sources for the reconstruction of the eighteenth-century Neapolitan compositional process
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2022 |
Boaro, Eric |
| Rewriting "Carmen" through two songs by Tosti and Tirindelli
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2022 |
Franke, Matthew |
| Editorial : on the work of musicology that lies ahead
|
2022 |
Bohlman, Philip V. |
| Lives in musicology : reflections on my life as an ethnomusicologist, Australian, and global citizen
|
2022 |
Kartomi, Margaret J. |
| The contemporary revival of "Nahḍa" music in Lebanon : the role of nostalgia in the creation of a contemporary transnational music tradition
|
2022 |
Cunha, Maria Rijo Lopes da |
| Seeing the forest for the trees : finding (and losing) Johannes de Bosco
|
2022 |
Cook, Karen M. |
| "Unus fons, unus spiritus, una fides" : römisch-evangelische Choräle auf dem "deutschen" Kapitol
|
2022 |
Engelhardt, Markus |
| "Tam vocibus quam instrumentis" : Instrumentalisten und vokal-instrumentales Musizieren am Hof von Kaiser Matthias
|
2022 |
Rainer, Bernhard |
| Global musicology : a keynote without a key
|
2022 |
Chua, Daniel K. L. |
| From Berlin to Wuhan : twelfe-tone composition and the pedagogical legacies of Kohoutek, Krenek, and Smith Brindle in China
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2022 |
Cheong, Wai-Ling |
| "Hoy es el tiempo que puede ser mañana" : tres hipótesis mesiánicas sobre la Nueva Canción Chilena
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2022 |
Rojas Sahurie, Pablo |
| A (global) history of what? : three challenges in contemporary music history writing
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2022 |
Semi, Maria |
| La misa "La pastorela mía" y la boda de Felipe III. ¿Música para un enlace real?
|
2021 |
Esteve Roldán, Eva |
| Institutional religion and personal religiosity in a postcolonial context : sacred music and the Chinese catholic community in contemporary Macau
|
2021 |
Chen, Jen-yen |
| Lives in musicology : my life in writings
|
2021 |
Agawu, Victor Kofi |
| Plantin's "Antiphonarium Romanum" (Antwerp, 1571-73) : creating a chant book during the catholic reformation
|
2021 |
Gillion, Marianne C. E. |
| Narratividad, intertextualidad y topoi musicales : un estudio semiótico de "Amante menguante" (2001) de Alberto Iglesias en "Hable con ella" de Pedro Almodóvar
|
2021 |
Alonso Tomás, Diego |
| Los inicios de Lorenza Correa en Madrid : su formación y desarrollo como actriz de cantado a partir del primer repertorio conocido (1787-94)
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2021 |
Pessarrodona, Aurélia |
| Serbisch-rumänische Verknüpfungen in der Salon- und Ballmusik des 19. Jahrhunderts
|
2021 |
Preda-Schimek, Haiganuş |
| Five claims for global musicology
|
2021 |
Nikolić, Sanela |
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