<<The>> Chinese essay
Inhalt: Illustrations. Acknowledgements. Preface. Skeleton Chronology. Introduction. Zhuge Liang (181-234): To Lead out the Army. Tao Qian (365-427): Requiem for Myself. Han Yu (768-824): Address to the Crocodiles of Chaozhou. Goodbye to Penury. Liu Zongyuan (773-819): The Whip Vendor. My First Excu...
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Format: | UnknownFormat |
Sprache: | eng |
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London
Hurst
2000
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Zusammenfassung: | Inhalt: Illustrations. Acknowledgements. Preface. Skeleton Chronology. Introduction. Zhuge Liang (181-234): To Lead out the Army. Tao Qian (365-427): Requiem for Myself. Han Yu (768-824): Address to the Crocodiles of Chaozhou. Goodbye to Penury. Liu Zongyuan (773-819): The Whip Vendor. My First Excursion to West Mountain. The Small Rock Pool West of the Hillock. Lu Guimeng (?-ca. 881): A Monument to Rustic Temples. Ouyang Xiu (1007-1072): The Old Toper's Pavilion. Su Shi (1037-1101): The Terrace over the Void. Master Table Mountain. Red Cliff: One. Inscription for the Temple of Han Yu at Chaozhou. Su Che (1039-1112): The Pavilion of Elation. Fang Xiaoru (1357-1402): The Mosquito Dialogue. Gui Youguang (1506-1571): My Mother: A Brief Life. The Xiangji Studio. Yuan Hongdao (1568-1610): Tiger Hill. The Rewards of Stupidity. Zhang Dai (1597-1684): The Full Moon Festival at the West Lake. Wang Yuesheng. Liu Jingting: Storyteller. The Jades of Yangzhou. Li Yu (1611-1680): Pleasant Diversions: Judging Beauty. Pleasant Diversions: Accomplishments. Pleasant Diversions: Literacy. Pleasant Diversions: Clothes. Fang Bao (1668-1749): Life in Prison. Yuan Mei (1716-1797): Thoughts on Master Huang's Book Borrowing. Lun Xun (1881-1936): Three Summer Pests. The Evolution of the Male Sex. Ah Jin. Confucius in Modern China. Zhou Zuoren (1885-1967): Relentless Rain. Reading in the Lavatory. On 'Passing the Itch'. The Ageing of Ghosts. In Praise of Mutes. Xia Mianzun (1886-1946): The Ornamental Iron Mountain. Winter at White Horse Lake. Ye Shengtao (1894-1988): Three Kinds of Boat. My Own Patch of Green. Intellectuals. Feng Zikai (1898-1975): Eating Melon Seeds. Autumn. Bombs in Yishan. Inhalt (Fortsetzung): Yu Dafu (1896-1945): Village School and Academy. The Winter Scene in Jiangnan. Zhu Ziqing (1898-1948): The View from the Rear. Traces of Wenzhou. The Lotus Pond by Moonlight. Liang Shih-ch'iu (1902-1987): Sickness. Haircut. Listening to Plays. Liang Yuchun (1906-1932): On the Road. Well-meant Words. Lu Li (1908-1942) . A Temple Lodging. Yang Jiang (1911-): The Art of Listening. Cloak of Invisibility. He Qifang (1912-1979): Elegy. Ch'i Chun (1917-): Chignon. Eileen Chang (1920-1995): The Religion of the Chinese. A Beating. Wang Ting-chün (1925-): The Last Word in Beauty and Ugliness. Footprints. Yu Kwang-chung (1928-): Thus Friends Absent Speak. My Four Hypothetical Enemies. Zongpu (1928-): The Call of the Ruins. Koarnhak Tarn (1934-): The Countryside of the Past. Today's Countryside. Huang Chunming (1939-): We Can't Bring Back the Past. Waiting for a Flower's Name. Yu Qiuyu (1946-): Shanghai People. Zhang Xingjian (1959-): Goodwives. References. |
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Beschreibung: | Publisher description: Though collections of Chinese fiction, poetry, and drama abound, there have been no English-language anthologies of Chinese essays on the market. Now, veteran sinologist David Pollard has selected and translated the best and most representative examples of Chinese prose writing from the third century to the contemporary period. Succinctly tracing the history of the genre in China in his introduction, Pollard then wittily and informatively introduces each writer chosen. The selections themselves include Ye Shengtaos ruminations of making a boat trip to visit his ancestors graves, Fan Bao on life in prison, Gui Yougangs reminiscence of his mother, Yuan Meis essay on borrowing books, and more. These writings not only give us marvelous little sketches of everyday life, lifting the curtain to a past world, they reveal still more about the minds of the writers and how they saw the world they lived in. Though the compositions span the past 1,800 years, the bulk of the selections are from the twentieth century and range from early masters of the form, such as Lu Xun and Zhou Zuoren, to the major writers of the middle generation, such as Ye Chengtao, Zhu Ziqing, Feng Zikai, Liang Shiqiu, and Liang Yuchun, and conclude with living writers who publish in both Taiwan and the mainland. Pollards aim has been to translate examples that are both good in and of themselves and also contribute something to the essay form. The classical selections represent the native tradition that the modern essayists either imitated or reacted against. Taken together, these writings illuminate Chinese attitudes and reactions to the world they inhabit and provide a vast amount of information about the details of everyday life, social intercourse, and mans reaction to his environment. |
Beschreibung: | XVI, 372 S. Illustrationen 23 cm |
ISBN: | 1850655367 1850655375 |