| The curatorial art of Karin Higa : [Rezension von: Julie Ault: Hidden in plain sight. - 2022]
|
2024 |
Hyesoo Valentine, Christina |
| Experience as art history : [Rezension von: Benjamin H. D. Buchloh: Exit interview. - 2024]
|
2024 |
Caplan, Lindsay |
| Droids, dreams, and desires : decoding Rajni Perera's The Vessel with Two Mouths : The Vessel with Two Mouths, Patel Brown Gallery, May 12-June 17, 2023
|
2024 |
Jabeen, Sanniah |
| DRC No. 12 : a "migratory" site of glocal specificity
|
2024 |
Sheng, Vivian K. |
| Foundation of Kindness, Shared Experiences, Shared Burden
|
2024 |
Woollett, Lucy |
| Writing time : the Shufa of Fung Ming Chip
|
2024 |
Greenberg, Daniel M. |
| Witness trees : Ken Gonzalez-Day re-surveys the US West
|
2024 |
Smith, Shawn Michelle |
| Fugitive utterances in modernity's song : [Rezension von: Rizvana Bradley: Anteaesthetics. - 2023]
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2024 |
McMillan, Uri |
| Art as surgery : hygiene politics in Zhang Peili's glove art, 1985-91
|
2024 |
Kang, Jiaqi |
| Robert Blanchon : AIDS and the question of conceptualism
|
2024 |
Oetting, Blake |
| When the dust has settled : what was the archival turn, and is it still turning?
|
2024 |
Callahan, Sara |
| Witnessing histories
|
2024 |
Murray, Derek Conrad |
| Reflections on black
|
2024 |
Millett, Adia |
| Art, feminism, and religious rituals : ecofeminism and Helène Aylon's court trial
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2024 |
Sperber, David |
| Hitler asleep in the Mercedes
|
2024 |
Brandon-Salmon, Altair |
| To an always knowing : [Rezension von: Sampada Aranke: Death's futurity. - 2023]
|
2024 |
Young, Olivia K. |
| Ruptured envelopes, double shells : skins in art in the age of global mobility
|
2023 |
Alboudy, Hava |
| Caring to notice : Sera Waters' disentangled pasts, attentive reparation and truth-telling toward survivable futures
|
2023 |
Sliwinska, Basia |
| "El cuerpo de verdad" : the potency of Magali Lara's unpictured bodies
|
2023 |
Borowitz, Maggie |
| Petrit Halilaj's memory objects
|
2023 |
Neris Yüksel, Hanife |
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