Rodin's putti : 1864-1885
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2024 |
Buley-Uribe, Christina |
From the love of ancient stones to the construction of singular way of thinking -Auguste Rodin and the "Cathedrals"
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2024 |
Mattiussi, Véronique |
Clemenceau and Evenepoel : a nascent frienship in the shadow of Rodin
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2024 |
Lentignac, Lise |
The Burghers of Calais at Mariemont : a major work of art and its "sale by mail order"
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2024 |
Docquier, Gilles |
Rodin : the later works
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2024 |
Le Normand-Romain, Antoinette |
In the beginning was the body
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2024 |
Le Normand-Romain, Antoinette |
The écorchés in the "Black drawings"
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2024 |
Buley-Uribe, Christina |
From one gate to the next... : reconsidering the dating of the "Black Drawings"
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2024 |
Buley-Uribe, Christina |
Michelangelo and The Gates of Hell
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2024 |
Le Normand-Romain, Antoinette |
"Deux puissants animaux longtemps attelés au même joug" (two strong beasts long-yoked together) : Constantin Meunier and Auguste Rodin
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2024 |
Depelchin, Davy |
Emancipation
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2024 |
Le Normand-Romain, Antoinette |
The Lance thrust
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2024 |
Busine, Laurent |
Rodin and the Neo-Florentines : the age of bronze - or the the body of evidence
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2024 |
Blanchetière, François |
The spirit of the Renaissance in Mons through the sculpture of Jacques Du Broeucq
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2024 |
Delvingt, Anne |
Judith Cladel and Edmond Picard : masterminds of the Rodin exhibition at the Maison d'Art in Brussels in 1899
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2024 |
Zanin, Hélène |
The other modern nude
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2024 |
Buley-Uribe, Christina |
Fragments of life and matter : Jacques Du Broeucq, Auguste Rodin, Berlinde De Bruyckere
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2024 |
Roland, Xavier |
Rodin and painting
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2024 |
Buley-Uribe, Christina |
St.John the Baptist
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2024 |
Le Normand-Romain, Antoinette |
The Burghers of Calais anf their multiple origins
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2024 |
Le Normand-Romain, Antoinette |