| Emancipation
|
2024 |
Le Normand-Romain, Antoinette |
| The Lance thrust
|
2024 |
Busine, Laurent |
| Rodin and the Neo-Florentines : the age of bronze - or the the body of evidence
|
2024 |
Blanchetière, François |
| The spirit of the Renaissance in Mons through the sculpture of Jacques Du Broeucq
|
2024 |
Delvingt, Anne |
| Judith Cladel and Edmond Picard : masterminds of the Rodin exhibition at the Maison d'Art in Brussels in 1899
|
2024 |
Zanin, Hélène |
| The other modern nude
|
2024 |
Buley-Uribe, Christina |
| Fragments of life and matter : Jacques Du Broeucq, Auguste Rodin, Berlinde De Bruyckere
|
2024 |
Roland, Xavier |
| Rodin and painting
|
2024 |
Buley-Uribe, Christina |
| St.John the Baptist
|
2024 |
Le Normand-Romain, Antoinette |
| The Burghers of Calais anf their multiple origins
|
2024 |
Le Normand-Romain, Antoinette |
| Rodin and the writers of Belgium
|
2024 |
Aron, Paul |
| Félicien Rops and Auguste Rodin : "Pioneer[s] in the bizarre and naturalist Far-West"
|
2024 |
Carpiaux, Véronique |
| George Minne and Auguste Rodin
|
2024 |
Laoureux, Denis |
| Clay from Paris, bread knife from Tangier, alabaster from Mons, glass from Venice
|
2024 |
Muylle, Pierre |
| Rodin's putti : 1864-1885
|
2024 |
Buley-Uribe, Christina |
| From the love of ancient stones to the construction of singular way of thinking -Auguste Rodin and the "Cathedrals"
|
2024 |
Mattiussi, Véronique |
| Clemenceau and Evenepoel : a nascent frienship in the shadow of Rodin
|
2024 |
Lentignac, Lise |
| The Burghers of Calais at Mariemont : a major work of art and its "sale by mail order"
|
2024 |
Docquier, Gilles |
| Rodin : the later works
|
2024 |
Le Normand-Romain, Antoinette |
| In the beginning was the body
|
2024 |
Le Normand-Romain, Antoinette |
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