| Exhibition on sixteen pages : introduction by Eva Maria Stadler and Jenni Tischer
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2024 |
Stadler, Eva Maria |
| Abstraction as critique of abstraction
|
2024 |
Stadler, Eva Maria |
| Legal abstractions : violence and vulnerability
|
2024 |
Bhandar, Brenna |
| Grids, interfering : queer relationality in works by Lorna Simpson, Andy Warhol, and Sol LeWitt
|
2024 |
Kernbauer, Eva |
| Core absence
|
2024 |
Vishmidt, Marina |
| Systemic externalities : on the socioecological costs of the capitalist mode of production
|
2024 |
Wissen, Markus |
| Digitizing art, money, and man
|
2024 |
Braun, Christina von |
| There is no more abstraction
|
2024 |
La Berge, Leigh Claire |
| Abstract painter
|
2024 |
Quaytman, R. H. |
| Always be filtering
|
2024 |
Apprich, Clemens |
| 17,000 iron bolts don't lie : on economy, abstraction, and truth in Otto Wagner's Postsparkasse
|
2024 |
Grzonka, Patricia |
| Off the grid : skipping rope in between the abstract and the concrete, touching its material (pre)conditions, (pre)attitudes, and anticipations
|
2024 |
Tischer, Jenni |
| Sell everything, buy everything, kill everything
|
2024 |
Kirschner, Blaise |
| What's the matter with money? : on the relation between abstraction and economic value
|
2024 |
Weber, Beat |
| "Who paints abstractly?" : a socioeconomic history of art after Alexandre Kojève
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2024 |
Scherrer, Christian |
| Concrete abstraction - our common world
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2024 |
Lütticken, Sven |
| From "second-order formalism" toward "political geometry" : the work of Florian Pumhösl
|
2024 |
Císař, Karel |
| Blacklight
|
2024 |
Silva, Denise Ferreira da |
| Again(st) the progression rule : reflections on the nexus of abstraction and economy in Brazilian art of the 1960s and 70s and its reception
|
2024 |
Buchmann, Sabeth |
| Absolut konkret : technical and material aspects of early abstract film
|
2024 |
Jutz, Gabriele |
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