| Secularization as realization
|
2024 |
Claussen, Johann Hinrich |
| Squinting at the invisible : spiritual seeing and the art of Michael Simpson
|
2024 |
Sliwka, Jennifer |
| How about... ? : R.G. Collingwood, T.J. Clark, and the conditions of a haveable world
|
2024 |
Quash, Ben |
| Thinking with Christianity : a grammar of doubt and belief in contemporary art
|
2024 |
Anderson, Jonathan A. |
| Missionary position : Kent Monkman and Christianity
|
2024 |
Milliner, Matthew J. |
| Monochromes and monotheisms : an apophatic dialogue with Ad Reinhardt
|
2024 |
Rosen, Aaron |
| Lines of the sacred : toward a heterology of drawing
|
2024 |
Biles, Jeremy |
| Vision and mission : making art for a world in danger
|
2024 |
Spalding, Frances |
| The right eyes : curating a theology of modernist painting
|
2024 |
Siedell, Daniel Andrew |
| Scandalous particularity : visual depictions of Jesus in modern art
|
2024 |
Eklund, Rebekah Ann |
| Optical allusions? : exploring the ambiguity of biblical texts in modern and contemporary art
|
2024 |
Joynes, Christine E. |
| A search for symbols and images adequate to our predicament
|
2024 |
MacGregor, Neil |
| Strange flesh : the body of the risen Jesus in the art of Edward Knippers
|
2024 |
Taylor, W. David O. |
| Re-visiting creation
|
2024 |
Reddaway, Chloë R. |
| Making pain incarnate : an iconophilic interpretation of Pablo Picasso's "Guernica"
|
2024 |
Ananias, Christina Carnes |
| Inheriting the mantle : modern and contemporary art as the inheritor of the prophetic and apocalyptic tradition
|
2024 |
Strine, Casey A. |
| Showing people Jesus : sight and the visual arts at Canterbury
|
2024 |
Harley-McGowan, Felicity |
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