| "A passion for Manuscripts" by Elly Miller
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2024 |
Miller, Elly |
| Opening up representations of saints in English folded almanacs
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2024 |
Doyle, Kathleen |
| Pictorial typology and the Bedford Hours
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2024 |
Sandler, Lucy Freeman |
| Opening the space of the parchment roll: Imagining interiority in two English copies of the "Septenarium pictum"
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2024 |
Smith, Kathryn A. |
| Visual signification in the "Liber floridus" "Christ between Ecclesia and Synagoga"
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2024 |
Emmerson, Richard Kenneth |
| The Gaudechon Hours: An unpublished manuscript illuminated by the Masters of Zweder van Culemborg
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2024 |
Marrow, James H. |
| Preface
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2024 |
Panayotova, Stella |
| A tudor on illumination and three antiquarians: Humfrey Wanley, Elizabeth Elstob and George Ballard
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2024 |
Stratford, Jenny |
| The chronology of Matthew Paris's illustrated Saint's lives
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2024 |
Binski, Paul |
| Adémar of Chabannes' biblical drawings in Notebook Leiden VLO 15: From the mystery of incarnation to liturgical drama
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2024 |
Denoël, Charlotte |
| Construing character and social status: Visual interpretations by medieval readers of Roman law
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2024 |
L'Engle, Susan |
| The last Solomon: Lost and found
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2024 |
Wieck, Roger S. |
| The Souvigny Bible and the Holy Sepulchre
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2024 |
Stirnemann, Patricia Danz |
| The patron of the Lambeth Bible
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2024 |
De Hamel, Christopher |
| The images of Gratian: The author's portrait and historical evidence
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2024 |
Frońska, Joanna |
| Turning to the masses in the "Très Riches Heures"
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2024 |
Guest, Gerald B. |
| Portal to heaven: The Virgin Mary as gatekeeper in Alfonso X's "Cantigas de Santa Maria"
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2024 |
Jackson, Deirdre Elizabeth |
| The Carthusian miniatures in the "Belles Heures" of Jean, Duke of Berry
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2024 |
Luxford, Julian M. |
| Biblioteca Apostolica Vaticana, MS Vat. Lat. 4757: An early Fourteenth-Century English illuminated "Vademecum"
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2024 |
Michael, M. A. |
| Double openings commemorating the First World War: Nestore Leoni and the revival of illumination in Italy
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2024 |
Toniolo, Federica |
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