| Impressionism and globalization
|
2024 |
Dombrowski, André |
| Art and revival in Ireland, 1830-1930
|
2024 |
Rose, Kayla |
| The "marbelous" movement : 1871-1922 Victorian England
|
2024 |
Kusztyk, Alexander |
| Primitive surfaces : Elena Izcue, Peruvian indigenism, and the racial poltics of modernist ornament
|
2024 |
Kuipers, Grace |
| Inter-Asian cultural dialogues
|
2024 |
Singh, Tanya |
| Thomaz Farkas and mid-century Brazilian photographic networks
|
2024 |
Stewart, Danielle |
| Two pioneering women bring abstraction to the Andes
|
2024 |
Greet, Michele |
| Picturing the dead : posthumous portraits of infants and children in turn-of-the-century Mexican photography
|
2024 |
Mandell, Elisa C. |
| Chinese photography criticism and theory in Republican China : the cases of Lu Xun and Liu Bannong
|
2024 |
Lessard, Bruno |
| The black legend of Mexican painting
|
2024 |
Martínez Rodríguez, Fabiola |
| The global contexts of modern African art : negotiating blackness, modern art, and African identities in Paris
|
2024 |
Ogbechie, Sylvester Okwunodu |
| Modernism, transnational networks and Pan-Africanist thought in early twentieth century African American art
|
2024 |
Bernard, Catherine |
| Berlin, Bauhaus, Bucharest : re-making modernism in the global peripheries
|
2024 |
Chiriac, Alexandra |
| Introduction : modern art : a global story
|
2024 |
Costache, Irina D. |
| Prequel : Helen Gardner and "Art through the ages", 1948 : a world panorama of art
|
2024 |
Jaffee, Barbara |
| "On or about 1910," London's New Bond Street, and the global art market
|
2024 |
Helmreich, Anne L. |
| Neo-Baroque architecture and sculpture in the Portuguese Estado Novo (1926-1974) : the genealogy of a marginalized concept
|
2024 |
Pinto, Ana Lourenço |
| A full embrace of the global in modern art : international exhibitions and the re-writing of art history
|
2024 |
Kunny, Clare |
| Modern Islamicate painting, 1940-1970
|
2024 |
Seggerman, Alex Dika |
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