Digitizing art, money, and man
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2024 |
Braun, Christina von |
There is no more abstraction
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2024 |
La Berge, Leigh Claire |
Abstract painter
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2024 |
Quaytman, R. H. |
Always be filtering
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2024 |
Apprich, Clemens |
Sell everything, buy everything, kill everything
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2024 |
Kirschner, Blaise |
What's the matter with money? : on the relation between abstraction and economic value
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2024 |
Weber, Beat |
"Who paints abstractly?" : a socioeconomic history of art after Alexandre Kojève
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2024 |
Scherrer, Christian |
Concrete abstraction - our common world
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2024 |
Lütticken, Sven |
From "second-order formalism" toward "political geometry" : the work of Florian Pumhösl
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2024 |
Císař, Karel |
Blacklight
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2024 |
Silva, Denise Ferreira da |
Again(st) the progression rule : reflections on the nexus of abstraction and economy in Brazilian art of the 1960s and 70s and its reception
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2024 |
Buchmann, Sabeth |
Absolut konkret : technical and material aspects of early abstract film
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2024 |
Jutz, Gabriele |
Exhibition on sixteen pages : introduction by Eva Maria Stadler and Jenni Tischer
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2024 |
Stadler, Eva Maria |
Abstraction as critique of abstraction
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2024 |
Stadler, Eva Maria |
Legal abstractions : violence and vulnerability
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2024 |
Bhandar, Brenna |
Grids, interfering : queer relationality in works by Lorna Simpson, Andy Warhol, and Sol LeWitt
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2024 |
Kernbauer, Eva |
Core absence
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2024 |
Vishmidt, Marina |
Systemic externalities : on the socioecological costs of the capitalist mode of production
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2024 |
Wissen, Markus |
17,000 iron bolts don't lie : on economy, abstraction, and truth in Otto Wagner's Postsparkasse
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2024 |
Grzonka, Patricia |
Off the grid : skipping rope in between the abstract and the concrete, touching its material (pre)conditions, (pre)attitudes, and anticipations
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2024 |
Tischer, Jenni |