Literary indiscernibles, referential forgery, and the possibility of allographic art
Peter Lamarque, in chapter 4 of his 2010 book Work and Object, argues that certain art forms, like music and literature, are such that there can be no forgeries that purport to be of an actually existing work—what Lamarque calls "referential forgeries." Put more clearly, any attempt at ref...
Gespeichert in:
| Veröffentlicht in: | The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2023
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Titel | Jahr | Band |
|---|---|---|
| Special issue: Aesthetics and race | 2019 | Volume 77, number 4 (Fall 2019) |
| Special issue: The good, the beautiful, the green : environmentalism and aesthetics | 2018 | Volume 76, number 4 (Fall 2018) |
| Special issue: seventy-fifth anniversary issue | 2017 | Volume 75, number 4 (Fall 2017) |
| Printmaking and philosophy of art | 2015 | 73.2015,1 |
| The media of photography | 2012 | 70.2012,1 |
| The poetics, aesthetics, and philosophy of narrative : special issue | 2009 | 67.2009,1 |
| Global theories of the arts and aesthetics | 2007 | 65.2007, 1 |
| Thinking through cinema : film as philosophy | 2006 | 64.2006, 1 |
| Art, mind, and cognitive science | 2004 | 62.2004, 2 |
| Philosophy and the histories of the arts | 1993 | Vol. 51, Nr. 3 : Special issue |