| "Nikolettočka i Džončik letajut vysoko"
|
2023 |
Infantė, Francisko |
| Another brick in the wall
|
2023 |
Leving, Jurij |
| Disrupting the Peredvizhniki : the modernist salvo of Elena Polenova and Emily Shanks
|
2023 |
Blakesley, Rosalind P. |
| Reflections of "Belle Époque" in the portraits of Maria Demidova Abamelek-Lazareva
|
2023 |
Tonini, Lucia |
| The confiscation of art, icons and valuables in revolution : the witness of Maurice Laserson ("M.J. Larsons")
|
2023 |
Kasinec, Edward |
| Double exposure and the eye : photography, cinema, literature
|
2023 |
Matich, Olga |
| Reception, interpretation, attribution, digression : forty-three years of collaboration (with John Bowlt)
|
2023 |
Misler, Nicoletta |
| Figures of speech, visual puns and word play in turn of the century Russian graphic art
|
2023 |
Minin, Oleg |
| Bunin's mirror : art and mortality between Tolstoy and Nabokov
|
2023 |
Seifrid, Thomas |
| Resonance of boiling self and shared enthusiasm : Japanese artists and collectors in early 1920s Berlin
|
2023 |
Omuka, Toshiharu |
| Nikolaj Punin i Lev Bruni v bojach za novoe iskusstvo
|
2023 |
Sarabʹjanov, Andrej Dmitrievič |
| Samuil Akkerman : živopisnyj dialog s sakralʹnym i poėtičeskim
|
2023 |
Marcadé, Jean-Claude |
| Nikolaj Rerich : ot drevnich simvolov k rolevoj igre
|
2023 |
Terkelʹ, Elena Aleksandrovna |
| The Faceted Chamber and the meanings of its restoration in the nineteenth century
|
2023 |
Salmond, Wendy R. |
| Kazimir Malevich and fun
|
2023 |
Lodder, Christina |
| Kandinsky and ceramics
|
2023 |
Lobanov-Rostovsky, Nina |
| The "World of Art" and "The war of the mushrooms"
|
2023 |
Mudrak, Myroslava Maria |
| The Jack of Diamonds : John Bowlt and the Russian avant-garde
|
2023 |
Bradburne, James M. |
| Georgij Jakulov, dall'Immaginismo al teatro
|
2023 |
Burini, Silvia |
| "Čisto i večno chudožestvennyj ėlement" Vasilija Kandinskogo i kulʹturnyj nacionalizm v ėpochu modernizma
|
2023 |
Aronov, Igor |
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