| Politics, propaganda, and postage : Soviet stamps and the Great Patriotic War
|
2023 |
Rusnock, Andrea |
| "Ulysses" on Soviet celluloid : Sergei Eisenstein, James Joyce and Sylvia Beach
|
2023 |
Leving, Jurij |
| John Bowlt and the Russian Satirical Journals Project
|
2023 |
Levitt, Marcus C. |
| Ob ėkfrastičeskich sledach v "Neznakomke" Bloka
|
2023 |
Timenčik, Roman Davidovič |
| Figures of speech, visual puns and word play in turn of the century Russian graphic art
|
2023 |
Minin, Oleg |
| Bunin's mirror : art and mortality between Tolstoy and Nabokov
|
2023 |
Seifrid, Thomas |
| Resonance of boiling self and shared enthusiasm : Japanese artists and collectors in early 1920s Berlin
|
2023 |
Omuka, Toshiharu |
| Nikolaj Punin i Lev Bruni v bojach za novoe iskusstvo
|
2023 |
Sarabʹjanov, Andrej Dmitrievič |
| Samuil Akkerman : živopisnyj dialog s sakralʹnym i poėtičeskim
|
2023 |
Marcadé, Jean-Claude |
| "Nikolettočka i Džončik letajut vysoko"
|
2023 |
Infantė, Francisko |
| Another brick in the wall
|
2023 |
Leving, Jurij |
| Disrupting the Peredvizhniki : the modernist salvo of Elena Polenova and Emily Shanks
|
2023 |
Blakesley, Rosalind P. |
| Reflections of "Belle Époque" in the portraits of Maria Demidova Abamelek-Lazareva
|
2023 |
Tonini, Lucia |
| The confiscation of art, icons and valuables in revolution : the witness of Maurice Laserson ("M.J. Larsons")
|
2023 |
Kasinec, Edward |
| Double exposure and the eye : photography, cinema, literature
|
2023 |
Matich, Olga |
| Reception, interpretation, attribution, digression : forty-three years of collaboration (with John Bowlt)
|
2023 |
Misler, Nicoletta |
| Nikolaj Rerich : ot drevnich simvolov k rolevoj igre
|
2023 |
Terkelʹ, Elena Aleksandrovna |
| The Faceted Chamber and the meanings of its restoration in the nineteenth century
|
2023 |
Salmond, Wendy R. |
| Kazimir Malevich and fun
|
2023 |
Lodder, Christina |
| Kandinsky and ceramics
|
2023 |
Lobanov-Rostovsky, Nina |
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