"Nikolettočka i Džončik letajut vysoko"
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2023 |
Infantė, Francisko |
Another brick in the wall
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2023 |
Leving, Jurij |
Disrupting the Peredvizhniki : the modernist salvo of Elena Polenova and Emily Shanks
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2023 |
Blakesley, Rosalind P. |
Reflections of "Belle Époque" in the portraits of Maria Demidova Abamelek-Lazareva
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2023 |
Tonini, Lucia |
The confiscation of art, icons and valuables in revolution : the witness of Maurice Laserson ("M.J. Larsons")
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2023 |
Kasinec, Edward |
Double exposure and the eye : photography, cinema, literature
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2023 |
Matich, Olga |
Reception, interpretation, attribution, digression : forty-three years of collaboration (with John Bowlt)
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2023 |
Misler, Nicoletta |
Nikolaj Rerich : ot drevnich simvolov k rolevoj igre
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2023 |
Terkelʹ, Elena Aleksandrovna |
The Faceted Chamber and the meanings of its restoration in the nineteenth century
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2023 |
Salmond, Wendy R. |
Kazimir Malevich and fun
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2023 |
Lodder, Christina |
Kandinsky and ceramics
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2023 |
Lobanov-Rostovsky, Nina |
The "World of Art" and "The war of the mushrooms"
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2023 |
Mudrak, Myroslava Maria |
The Jack of Diamonds : John Bowlt and the Russian avant-garde
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2023 |
Bradburne, James M. |
Georgij Jakulov, dall'Immaginismo al teatro
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2023 |
Burini, Silvia |
"Čisto i večno chudožestvennyj ėlement" Vasilija Kandinskogo i kulʹturnyj nacionalizm v ėpochu modernizma
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2023 |
Aronov, Igor |
"Budem prodolžatʹ našu liniju žizni ..." : pisʹma S.A. Sorina k A.N. Benua v Otdele rukopisej Gosudarstvennogo Russkogo muzeja
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2023 |
Solonovič, Julija |
Kanva žizni Olʹgi Glebovoj-Sudejkinoj
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2023 |
Menʹšova, Irina |
Kudri - denʹgi - ... - bigudi : v poėtike malenʹkogo šedevra
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2023 |
Žolkovskij, Aleksandr Konstantinovič |
Te že i Boult : nemoe kino i chudožestvennyj byt
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2023 |
Chitrova, Darʹja |
Dinozarʹ na pisʹmennom stole
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2023 |
Golubinov, Viktor |