Peripheries | introduction
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2024 |
Aikema, Bernard |
Gian Girolamo Savoldo as a draughtsman : attribution and practice
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2024 |
Casciello, Alberto Maria |
Coloured chalks and "trois crayons" : drawing and the creative process for Bassano, Veronese and Palma
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2024 |
Dalla Costa, Thomas |
Legacies on blue paper : drawing in the Bassano, Caliari and Tintoretto family workshop
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2024 |
McCarthy, Alexa |
From Venice to Rome? : Giovanni da Udine's animal and plant studies
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2024 |
Mohr, Larissa |
Media | introduction
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2024 |
Eitel Porter, Rhoda |
Paperless "disegno" : integrating Pisanello's practice of "sinopie" with drawing histories in the Venetian sphere
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2024 |
Witty, John |
Confronting the rule : Domenico Tintoretto's "concetti" on "The Miracle of the Slave"
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2024 |
Matino, Gabriele |
Theory | introduction
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2024 |
Gottardo, Ketty |
"Verrai apigliare huna maniera propia per te" : developing technique and style in early sixteenth-century prints - the case of Nicoletto da Modena
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2024 |
Bartlett-Rawlings, Bryony |
Conclusion : Venetian drawings and the perils of historiography
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2024 |
Marciari, John |
Venetian disegno : facing new frontiers
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2024 |
Aresin, Maria |
On coloured ground : surfaces and materials in Palma il Giovane's drawings
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2024 |
Aresin, Maria |
Where "disegno" goes to die : Vasarian strategies for creating the myth of a Venice without drawing
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2024 |
Buonanno, Lorenzo G. |
The role of "disegno" in the frieze of the Casa Marta Pellizzari, Castelfranco
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2024 |
Brooke, Irene |
Designing wall decorations in Renaissance Vicenza : a drawing by a sculptor or a painter?
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2024 |
Siracusano, Luca |
"Disegno" on a grande scale : Giovanni Bellini's "Lamentation over the Dead Christ"
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2024 |
Holter, Emma P. |
A drawing by Lazzaro Bastiani at the Boijmans Van Beuningen Museum
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2024 |
Russo, Gianmarco |
Invention | introduction
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2024 |
Tagliaferro, Giorgio |
Invention as mirrored in Jacopo de' Barbari's engravings
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2024 |
Huffman, Kristin L. |