| Introduction : women art dealers : creating markets for modern art, 1940-90
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2024 |
Chagnon-Burke, Véronique |
| Prolegomenon : the ideology of the gaze in photography : canons and anti-canons of women art dealers' portraits (1924-2013)
|
2024 |
Toschi, Caterina |
| "The Boom in Boone" : Mary Boone in SoHo in the early 1980s
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2024 |
Castellani, Carlotta |
| Topazia Alliata, Piero Manzoni, and the coincidence between idea and visual language : the case of "Riducibili", Rome 1960
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2024 |
Sylos Calò, Carlotta |
| Lia Rumma : art as conviviality
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2024 |
Lonardelli, Luigia |
| Linda Givon, the Goodman Gallery, and the politics of the contemporary art market in South Africa, 1966-90
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2024 |
Freschi, Federico |
| Mapping the impact of women art dealers in Los Angeles : a few case studies
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2024 |
Rigolo, Pietro |
| From fashion journalism to art dealing : Irene Brin and L'Obelisco gallery
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2024 |
Schiaffini, Ilaria |
| Etheline Rosas : a modern art conservator, an art dealer, and a museologist
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2024 |
Ponte, Sofia |
| The girl with the gallery : Edith Halpert in the mid-twentieth-century New York art market
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2024 |
Robson, A. Deirdre |
| Galerie Gmurzynska in the Cold War period
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2024 |
Korowin, Elena |
| Constructing a photography market between New York and Paris : the role of the Zabriskie Gallery (1970s-90s)
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2024 |
Seniuta, Isabella |
| Gabriella Cardazzo at Galleria del Cavallino in Venice
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2024 |
Parolo, Lisa |
| Bertha Schaefer : "a case of ambidexterity" : bringing modern art into American homes
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2024 |
Camarda, Antonella |
| Simone Kahn Collinet : from member to promoter of surrealism
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2024 |
Ensabella, Alice |
| Nelly van Doesburg and Peggy Guggenheim : their role in establishing the reputation of Theo van Doesburg and De Stijl
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2024 |
Wintgens, Doris |
| Mara Coccia, a gallery owner in Rome
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2024 |
Gallo, Francesca |
| Dulce D'Agro and Quadrum : "a modern art love story" in Lisbon
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2024 |
Duarte, Adelaide |
| The Konstsalongen Samlaren of Agnes Widlund in Stockholm
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2024 |
Brandberg, Christina |
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