| Musical self-portraits by Garofalo, Anguissola, and Fontana
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2023 |
Chang, Samantha |
| Visible and invisible musical paths in Federico da Montefeltro's Gubbio studiolo
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2023 |
Guidobaldi, Nicoletta |
| The artist and artistry of the "Capirola Lutebook"
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2023 |
Coelho, Victor Anand |
| Aporia and the harmonious object
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2023 |
Shephard, Tim |
| The "author's portrait" in early modern Italian music books
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2023 |
Privitera, Massimo |
| Singing Sibyls : music, inspiration, labor, and art on the Sistine Chapel ceiling
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2023 |
Nygren, Barnaby |
| Dangerous music, noble painting : the fate of the "sister" arts at the Accademia di San Luca in 1594
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2023 |
Korrick, Leslie |
| Music, the visual and the material in an Italian Renaissance basin
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2023 |
Dennis, Flora |
| "A body composed of many parts" : the concept of harmony in Leonardo da Vinci's Paragone
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2023 |
Cohen, David E. |
| Il Figino and the Paragone
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2023 |
Cascelli, Antonio |
| The iconography of dancing on Renaissance wedding chests
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2023 |
Chiu, Jasmine M. |
| The convergence of sacred and secular in Vittore Carpaccio's British Museum concert
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2023 |
Henry, Chriscinda |
| No country for old men? : aging and men's musicianship in Italian Renaissance art
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2023 |
Raninen, Sanna |
| The materiality, decoration and display of Renaissance musical instruments
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2023 |
Vai, Emanuela |
| The tuning figure in early modern art 1350-1700
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2023 |
Quiviger, François |
| The flow of time and feelings in Evaristo Baschenis' still lifes with instruments
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2023 |
Filocamo, Gioia |
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