| Introduction
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2023 |
McCue, Maureen |
| Romanticism, "real" illusions and the transformation of experience in modernity
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2023 |
Otto, Peter |
| Looking back through fashion : Regency romances and a "jumble of styles"
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2023 |
Davidson, Hilary |
| Illustrated magazines and periodicals : visual genres and gendered aspirations
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2023 |
Batchelor, Jennie |
| The Gothic aesthetic : word and image
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2023 |
Garner, Katie |
| Exhibitions culture, consumerism and the Romantic artist
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2023 |
Myrone, Martin |
| Convergence and dissonance : Romantic theatre and the visual arts
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2023 |
McPherson, Heather |
| Romantic art and the novel
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2023 |
Heydt-Stevenson, Jillian |
| Mired in print : Romantic writers and caricature
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2023 |
Haywood, Ian |
| "The happiest vehicles of antiquarian knowledge" : the visual arts and romantic antiquarianism
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2023 |
Boehm, Katharina |
| Taken by storm : multisensory learning in the lecture room
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2023 |
Zimmerman, Sarah MacKenzie |
| Illustrated poetry in the Romantic period
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2023 |
Matthews, Susan |
| Album culture : begging for scraps
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2023 |
Matthews, Samantha |
| Sound and vision in Blake's London
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2023 |
Grande, James |
| Aesthetic landscapes : travel and tourism
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2023 |
Constantine, Mary-Ann |
| Angelica Kauffman and the sister arts
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2023 |
Brylowe, Thora |
| Building(s) for art : the evolution of public art galleries in England, 1780-1840
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2023 |
Avery-Quash, Susanna |
| Visualising the indigenous pacific
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2023 |
Wills, Kacie L. |
| "A point to aim at in a morning's walk" : encounters at the print shop
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2023 |
McCue, Maureen |
| Cultural manifestations of romanticism on the contemporary screen
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2023 |
Shachar, Hila |
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