An artist, a glass painter, a craftsman, and a debate on their role in the design and execution of stained glass
According to a discussion which took place in Germany in 1912, the fundamental environment for stained-glass making were workshops. It was within various workshops that simple ornamental glazing was put together. Designs were either produced by artists employed at workshops, which allowed them to si...
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Veröffentlicht in: | Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki |
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Format: | UnknownFormat |
Sprache: | eng |
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2023
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