What in the world

Photographs bear witness. Minimally, they record or collect evidence. Bearing witness is not, however, reducible to showing that this was there then. Bearing witness has an affective dimension. What led a photographer to select this and not that to capture on a light sensitive medium? What was he or...

Ausführliche Beschreibung

Bibliographische Detailangaben

Veröffentlicht in:	Contemporary Aesthetics
1. Verfasser:	Carvalho, John M. (VerfasserIn)
Format:	Online
Sprache:	eng
Veröffentlicht:	2023
Schlagworte:	aesthetic engagement, Anthropocene, Lewis Baltz, Edward Burtynsky, landscape photography, melancholia, nature, New Topographics
Online Zugang:	Volltext
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