Paolo Uccello in French Surrealism doubling Antonin Artaud
In the 1920s and '30s the fourteenth-century Italian artist Paolo Uccello was appropriated as a precursor of Surrealism in the French surrealist discourse. Pivotal were two texts, a mini-play and an essay, that the playwright Antonin Artaud, then in his surrealist phase, dedicated to Uccello be...
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Veröffentlicht in: | RIHA Journal |
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Format: | Online |
Sprache: | eng |
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2023
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Online Zugang: | Volltext Volltext |
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