Paolo Uccello in French Surrealism doubling Antonin Artaud

In the 1920s and '30s the fourteenth-century Italian artist Paolo Uccello was appropriated as a precursor of Surrealism in the French surrealist discourse. Pivotal were two texts, a mini-play and an essay, that the playwright Antonin Artaud, then in his surrealist phase, dedicated to Uccello be...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:RIHA Journal
1. Verfasser: Bauduin, Tessel M. (VerfasserIn)
Format: Online
Sprache:eng
Veröffentlicht: 2023
Schlagworte:
Online Zugang:Volltext
Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!