Correspondences : exploring the echoes of Jack Spicer's poetics in the paintings of Matt Connors
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2023 |
Boot, Job |
Obsolescence and reinvention : the case study of João Maria Gusmão and Pedro Paiva
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2023 |
De Tomasi, Filippo |
Speaking of things : an introduction
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2023 |
Schmidt-Wulffen, Stephan |
Object as symbol : Baudrillard's thanatopoietic form
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2023 |
Tsagdis, Georgios |
A two-way mirror : narcissism and surveillance from the closed circuit to the network
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2023 |
Asselin, Olivier |
The lure of absence : can there be process without artists?
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2023 |
Gearhart, Heidi C. |
Simply things : a phenomenological interpretation from technology to poetry
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2023 |
Olivero, Martina |
El Anatsui : "Triumphant scale" : material realism and the logic of things
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2023 |
Berg, Karen van den |
The autonomous aesthetic of allure : Mary Bauermeister's "Needless Needles" and Graham Harman's object philosophy
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2023 |
Ohls, Hauke |
Co-production : towards a relational ontology of aesthetic objects
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2023 |
Moskatova, Olga |
Solid gifts : seven lessons from the fossil
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2023 |
Trevisani, Luca |
A noisy love affair : the language of things in the works of Mark Leckey and "Musa paradisiaca"
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2023 |
Ferrão, Miguel |
Shape of things, shapes of time
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2023 |
Rheinberger, Hans-Jörg |
The object of non-aesthetics
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2023 |
Fardy, Jonathan |
The photographic multiples of Joseph Beuys as an extension of himself
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2023 |
Perrier de La Bâthie, Pierre-Emmanuel |
Massimo Bartolini's "Untitled untitled" (2001) : the strategy for visualizing the hyperspace
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2023 |
Duarte, German A. |
Origins and ends : understanding the medium of painting according to Heidegger's truth
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2023 |
Palin, Tom |