| On Jewish cultural identities within the Russian Empire and Soviet Russia
|
2022 |
Rüthers, Monica |
| International communism and transnational solidarity in the context of the First Russian Art Exhibition
|
2022 |
Braskén, Kasper |
| Willi Münzenberg and the workers' international relief
|
2022 |
Braskén, Kasper |
| The double track of the Berlin exhibition
|
2022 |
Bérard, Ewa |
| The curators : David Shterenberg and Natan Altman
|
2022 |
Piters-Hofmann, Ludmila |
| Protests about the selection of works from the Petrograd Museum of Artistic Culture
|
2022 |
Karasik, Irina Nisonovna |
| Archival research in the paintings and graphic works shown in Berlin in 1922
|
2022 |
Avtonomova, Natalija Borisovna |
| Epilogue : "The International of Art" as a utopian concept
|
2022 |
Dorontchenkov, Ilia |
| Responses to the First Russian Art Exhibition
|
2022 |
Forgács, Éva |
| Showcasing Bolshevik Russia in a private art gallery in Berlin
|
2022 |
Leimer, Miriam |
| Erich Buchholz : reflections on Russian non-objective art
|
2022 |
Leimer, Miriam |
| Lajos Kassák's interaction with Russian Constructivism in Vienna, 1920-24
|
2022 |
Szeredi, Merse Pál |
| Naum Gabo : the sculptor as curator
|
2022 |
Lodder, Christina |
| Theo van Doesburg : reporting on revolutionary Russian art
|
2022 |
Boersma, Linda S. |
| Keeper of art : "Reichskunstwart" Edwin Redslob
|
2022 |
Wünsche, Isabel |
| The impact of Russian art in early 1920s Japan
|
2022 |
Toshiharu, Omuka |
| Katherine S. Dreier and the promotion of Russian art in the United States
|
2022 |
Wünsche, Isabel |
| Lajos Kassák and picture architecture
|
2022 |
Szeredi, Merse Pál |
| What did "Russian" mean in the early twentieth century?
|
2022 |
Schmid, Ulrich |
| Weimar Republic state art policy and the Russian exhibition of 1922
|
2022 |
Kratz-Kessemeier, Kristina |
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