| Prologue: Berlin 1922 and Ukraine 2022
|
2022 |
Mudrak, Myroslava Maria |
| Beyond Kandinsky : the promotion and reception of Russian art in Germany, 1890s to 1922
|
2022 |
Wünsche, Isabel |
| Anatoly Lunacharsky and the people's commissariat of enlightenment
|
2022 |
Wünsche, Isabel |
| Wassily Kandinsky and the Soviet avant-garde
|
2022 |
Borkhardt, Sebastian |
| Dutch responses to the exhibition in Amsterdam
|
2022 |
Boersma, Linda S. |
| Art works from the First Russian Art Exhibition in the collection of the Moscow Museum of Painterly Culture
|
2022 |
Pchelkina, Liubov |
| Art works from the First Russian Art Exhibition in Ukrainian state museums
|
2022 |
Makedon, Iryna |
| Art works from the First Russian Art Exhibition in the Azerbaijan National Museum of Art, Baku
|
2022 |
Rahimova, Naila |
| Art works from the First Russian Art Exhibition in the Kasnodar Regional Art Museum F. A. Kovalenko
|
2022 |
Sadykova, Dilyara |
| Erich Buchholz : reflections on Russian non-objective art
|
2022 |
Leimer, Miriam |
| Lajos Kassák's interaction with Russian Constructivism in Vienna, 1920-24
|
2022 |
Szeredi, Merse Pál |
| Naum Gabo : the sculptor as curator
|
2022 |
Lodder, Christina |
| Theo van Doesburg : reporting on revolutionary Russian art
|
2022 |
Boersma, Linda S. |
| Keeper of art : "Reichskunstwart" Edwin Redslob
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2022 |
Wünsche, Isabel |
| The impact of Russian art in early 1920s Japan
|
2022 |
Toshiharu, Omuka |
| Katherine S. Dreier and the promotion of Russian art in the United States
|
2022 |
Wünsche, Isabel |
| Lajos Kassák and picture architecture
|
2022 |
Szeredi, Merse Pál |
| What did "Russian" mean in the early twentieth century?
|
2022 |
Schmid, Ulrich |
| Weimar Republic state art policy and the Russian exhibition of 1922
|
2022 |
Kratz-Kessemeier, Kristina |
| El Lissitzky : the designs for the catalogue cover
|
2022 |
Renders, Willem Jan |
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