Imprints and tracks
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2022 |
Costanzo, Denise |
Italian afterthoughts : transcoding "Veniceness" from without
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2022 |
Aquilar, Giorgia |
From Renaissance precision to computational uncertainty
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2022 |
Bauer, Frank |
The human body as a space of diplomacy : "Studi sulle proporzioni" at the IX Milan Triennale in 1951
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2022 |
Vannucchi, Federica |
Gio Ponti: a cloud of affinities
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2022 |
Casciato, Maristella |
Robert Venturi and Naples : the complexity of the South
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2022 |
Sessa, Rosa |
The architect as intellectual
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2022 |
Cohen, Jean-Louis |
Italy as a methodological testing ground for architectural history
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2022 |
Martínez Martínez, Raúl |
The italian Renaissance as rebirth and return
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2022 |
Pearson, Caspar |
Aldo Rossi, Giorgio de Chirico, and the enigma of tradition
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2022 |
Ghirardo, Diane Yvonne |
The international call : italian design, culture, politics, and economics at the 1972 MOMA exhibition and beyond
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2022 |
Micheli, Silvia |
Marking, framing, and measuring (in) Vittorio Gregoretti's "Il territorio dell'architettura"
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2022 |
French, Chris |
From the universal to the particular : Robin Boyd and the positioning of Italy in postwar architectural criticism
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2022 |
Goad, Philip |
Italian roots in Latin American architectural history
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2022 |
Ortiz dos Santos, Daniela |
Models and methods of architecture and climate
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2022 |
Barber, Daniel A. |
Functionalism and its italian entanglements
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2022 |
Poerschke, Ute |
Furnishing fascist Italy
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2022 |
Galán, Ignacio G. |
Unexpected pedagogies : Henry Hornbostel in Italy, 1893
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2022 |
Torello, Francesca |
Appropriating Aldo Rossi : the displaced afterlife of "L'architettura della città" in China
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2022 |
Chen, Dijia |
"Slow down you Kunstwollen, young man" or, what a practice in building deconstruction learned from Tuscan Aristotelianism
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2022 |
Devlieger, Lionel |