"Prima tabvula habet imagines": a reconsideration of Bernhard Strigel's "Family Portrait of Emperor Maximilian I"
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2022 |
Hoppe-Harnoncourt, Alice |
A "Christ as the Man of Sorrows" by Quinten Massys
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2022 |
Martens, Maximiliaan P. J. |
Ad vivum: observations on Hugo van der Goes's Monforte Altarpiece in Berlin
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2022 |
Parshall, Peter W. |
The cult of Mary Magdalene and Jacques de Saint-Nectaire's tapestry series for the abbey church of La Chaise-Dieu (1518)
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2022 |
Eichberger, Dagmar |
Things they do not have: royal Spanish gifts for the emperor of China
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2022 |
Kasl, Ronda |
Collaborator or follower of Jan van Eyck? The painter of the Simpson Carson Virgin reconsidered
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2022 |
Borchert, Till-Holger |
The examination and treatment of the "Annunciation" by Joos van Cleve at The Metropolitan Museum of Art
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2022 |
Scully, Sophie |
A portable artistic resource: the practical uses of the pocket-size sketchbook of Cornelis Anthonisz (c. 1505-1553)
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2022 |
Meuwissen, Daantje |
Jan Provoost before c. 1500 : the documentary evidence
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2022 |
Spronk, Ron |
Maarten van Heemskerck's early "Lamentation of Christ" : the beginning of a long career
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2022 |
Faries, Molly |
Optical illusion as epistemological challenge: Konrad Witz's "Saint Christopher"
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2022 |
Hindriks, Sandra |
The "Stigmatization of Saint Francis" by Joos van Cleve : a new discovery
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2022 |
Brink, Peter van den |
From wood to silver: Michel Erhart and Heinrich Hufnagel at the Bode Museum
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2022 |
Chapuis, Julien |
The fourteenth-century Bohemian "Virgin and Child Enthroned" at The Met : some preliminary thoughts
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2022 |
Christiansen, Keith |
The color of money and other temporary natural alterations in silver-stained windows
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2022 |
Wolfthal, Diane |
A tale of two altarpieces: Jan de Beer's Birmingham and Madrid paintings
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2022 |
Ewing, Dan |
Petrus Christus's altarpiece of 1452 : a new reconstruction
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2022 |
Kemperdick, Stephan |
On the role of an early-sixteenth-century drawing in Netherlandish luxury manuscript production
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2022 |
Kren, Thomas |
Rembrandt and the Rembrandtesque : the experience of artistic process and its imitation
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2022 |
Gifford, E. Melanie |
Maryan W. Ainsworth : an appreciation
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2022 |
Koopstra, Anna |