| Introduction : painting, memory, and the First World War
|
2020 |
Hutchison, Margaret |
| Gatekeeper of memory : the Australian War Memorial and Charles Bryant's "HMAS Australia on the Way to Her Doom"
|
2020 |
Hutchison, Margaret |
| From propaganda to remembrance : Alfred Bastien's "The Panorama of the Yser Battle"
|
2020 |
Smets, Sandrine |
| "Der Krieg" : Otto Dix's war triptych, memory and the perception of the First World War
|
2020 |
Bayer, Martin |
| Afterword : The Owl of Minerva : reflections on art, memory, and the transformation of war, 1914-24
|
2020 |
Winter, Jay |
| Romaine Brook's "La France Croisée" : allegory, androgyny, and appropriation
|
2020 |
Rivenbark, Elizabeth Richards |
| "The Canadians Opposite Lens" : Augustus John's unfinished First World War Canadian masterpiece
|
2020 |
Brandon, Laura |
| James Clark's "The Great Sacrifice"
|
2020 |
Harrington, Peter |
| Maksimilijan Vanka's "Our Mothers" and the Croatian memory of the First World War
|
2020 |
Cook, Heidi A. |
| En souvenir : Albert Herter's "Le Départ des Poilus, Août 1914" at Paris-Est
|
2020 |
Levitch, Mark |
| Albin Egger-Lienz's "Die Namenlosen 1914" : Vienna painters and the Great War
|
2020 |
Beidler, Philip D. |
| Sacrifice, grief, and national memory in George Edmund Butler's "Butte de Polygon"
|
2020 |
Lord, Caroline |
| Russia, memory, and the Great War : Kuzuma Petrov-Vodkin's "In the Line of Fire"
|
2020 |
Nedd, Andrew M. |
| A "rush frénétique" : representation, memory, and Georges Scott's "La Brigade Marine Américaine au Bois de Belleau"
|
2020 |
Trout, Steven |
| An ambivalent patriot : Namik İsmail, the First World War, and the politics of remembrance in Turkey
|
2020 |
Tongo, Gizem |
| Fortunino Matania's "Goodbye, Old Man"
|
2020 |
Helmers, Marguerite H. |
Tag hinzufügen